Your whole life is a continuous competition. "Star Factory", "Eurovision", the recent project "One to One" ... Do you like to be in a state of competition?

“I can’t stand contests, competitions and competitions. For me, this is an incredible challenge. And it always mattered to me where I was. I'm just by nature a person who tries to do everything one hundred percent. And if I see that it didn’t work out, that’s it, write it down. I start a session of self-digging and I can get to the bottom God knows to what depths. For a creative person, this is, in general, not bad, but sometimes tiring.

- Why do you then agree to such projects?

“It's an absolutely priceless experience. On projects, I gain as much as you can’t get at any university in five years of study. I become stronger, more mature, wiser, I grow up rapidly, right in leaps and bounds. And this is very valuable. The “One to One” project went on for three months, and during this time I managed to acquire a huge amount of knowledge! I not only learned to copy artists, but carefully prepared, watched live performances, read biographies, watched interviews. They have a lot to learn. For example, how Whitney Houston brilliantly communicated with the audience, how she involved the audience, how she shared her energy with them through gestures and words, how she opened herself to people. Zemfira, on the contrary, is a very closed person by nature, she can only slightly open the door to her soul. The most difficult for me were the images of Alla Pugacheva and Lyudmila Gurchenko. I got the most difficult song of Pugacheva: the grandiose verses of Marina Tsvetaeva, a difficult melody. Yes, and Alla Borisovna herself: when I watched her concerts, I never ceased to be surprised at how different she can be. Alone on the stage, without any special effects, she put on such shows that it remains only to shrug: how does she do it ?! I cried, laughed, I even had a tantrum once. Because the spiritual message with which Pugacheva goes to the viewer is insanely difficult to convey. And with Gurchenko, the opposite is true: she is, first of all, an actress. And her songs had the exact dosage of soulfulness and acting. It is very difficult to catch these proportions: I will shift something, then I will not give something - the balance disappeared.

What about Freddie Mercury?

— Oh, this is a separate conversation. Copying his vocals, you could easily lose your voice. He gave an incredible drive and rock at the very heights! Not only that, as a woman, it was difficult for me to portray a man. But the fact is that there is not a single video recording of a live performance of "The show must go On". Freddie was already deeply ill while recording it. He did not appear in public. But a lot, greedily and obsessively worked in the studio. He told his teammates: “Come on! Let's! We need to record as much as possible so that people have my voice. Play something for me now, I'll sing, and then you'll come up with the arrangement yourself. Such a will to live! Such a desire to leave yourself to people! I was amazed by the scale of his personality. But at the same time, I understood that if it were not for the One to One project, I probably would never have plunged so deeply into the biographies of all the above artists and would not have learned so many new things.

- According to your stories, one gets the feeling that the project went on not for three months, but for three years.

- That's exactly what I'm talking about! Each project is like living five years of your life. And at the same time, I just talked about the outside of the show, not a word about the life that was inside the project. What happened behind the scene is a separate lesson for me, almost more than what happened in the frame. School of Life. I was surprised how different sides people showed themselves. There I met very positive people with whom I became friends. But there I learned what betrayal is. Of course, I'm not going to name names now. And I didn’t specifically talk about it until the end of the show, because I think it’s indecent to whine and complain and thus try to attract the attention of the audience. But the atmosphere in our little circle was very heavy. I even faced conspiracies against me!

- How could someone outsider influence the course of the competition? After all, the assessment depended only on you, on how you perform?

“It wasn't always like that. Well, for example, there are images that you can’t copy with ordinary makeup, you need complex plastic makeup. While preparing for the two images, I was surprised when I was offered not to do this makeup, although it was obvious that it was simply necessary. As it turned out later, one of the participants in the project tried to bribe the make-up artists so that they wouldn’t do it to me on purpose and my number would look less bright. Hard? Not that word.

- And from the side it seemed that the project participants sincerely worry about each other, rejoice at other people's successes.

- From the majority of the participants, it was like that. Sergey Penkin, for example, is an amazing person, the soul of our project. I remember that he came to my dressing room, just when I was very nervous in front of the number in the image of Alla Borisovna, sat down and said: “What are you going through?” I explain that my nerves are failing, I can’t get myself together, I don’t know how to present the song correctly, I’m completely confused. He asked: "Turn me the original." I'm turning on. "Now sing." I sing. “Imagine that your loved one left you. Now sing." I sing. “That's how it should be! Now don't worry at all, just do your thing." That is, a person who himself is inside this competition, openly helped us, his rivals, gave advice, that is, helped to beat him! I think this is the highest manifestation of humanity. I was also struck by Eva Polna. She and I shared the same dressing room, and she kept me fighting spirit, always joking. And my performances were taken to heart. When I came out with Alla Borisovna's number and read a monologue, Eva sobbed and could not stop. “Julia, what are you doing?!” she said. At the same time, she herself was in the image of Bogdan Titomir. That is, she has heavy make-up on her face, and she cries, and tears flow between her own cheeks and overhead, Titomirov's. So she was moved.

- Which, by the way, says not only that Eva is sentimental, but also that your mastery of reincarnation is beyond praise. After the results of the project and the winner (Alexey Chumakov) were announced, the audience discussed for a long time that Yulia should have taken the first place. Do you agree with this?

- See what a resonance arose due to the fact that I took second place? And it's great! And if it were the first, everything would be quiet and calm. Seriously, I want to thank all the fans who supported me. I was often told: “Julia, hold on, we are rooting for you!” And that's what I worked for. And I'm glad that they liked my work, this is the main thing, and second place or first place is not important. Maybe even good. When my producer Max Fadeev saw the final performance, he called me and said: “Julia, you will be second. And it's amazing, because there will be room to grow further." And I agree with him. Second place gives you the air to get better. Always go ahead and see that there is still so much to do ahead! For me, it’s better that I’m not completely satisfied with the result, I would start digging into why it happened and look for where I didn’t work, and then everything will be gorgeous. And let for this you have to go through many circles of hell.

"You're being hard on yourself...

- How else? Otherwise, there will be no successful performances, projects, songs - nothing at all. But I want to say a big thank you to all my relatives for the fact that they are trying, as best they can, to dissuade me from my harsh attitude towards myself. Every time my mom feels my bouts of introspection, she calls and says: “Julia, you are the best. My father and I watch you on TV and are proud!” Very important words for me. Thanks also to my neighbors. They involuntarily and constantly become listeners of my rehearsals, and the last few months have been especially difficult for them. I could start rehearsing a new image at eleven in the evening, and at one in the morning - I was so worried that I would not have time to prepare. And they have a small child. But I didn't hear a word of reproach from them. Only once, when they met me in the elevator, they said with a laugh that they might not watch the show anymore. Very positive guys! But most of all gets, of course, from me to my young man. We have been together for many years, and I never cease to be amazed at his patience. I come home from the next recording of "One to One", in my head - only work. I declare: “I need to urgently start rehearsing! I can't do anything." He tries to calm me down: “Relax already, lie down, relax!” I'm in none. He will always come to the rescue, always support and understand. And he will cook food, and collect on tour. Of course, I was lucky, very lucky!

You met when you were 16 years old. Together for almost 10 years. And this is a solid period for any modern couple.

- I watch a lot of relationships between young guys and I see that everything around is very fleeting, not really. You can, of course, laugh at the stories of your grandmother: “When I met him, we first walked and only two years later we kissed ...” But this is the real thing. Such romantic relationships may have a future: it is clear that people value and cherish each other, love develops on a different level. And not so that he saw a person, on the second day everything already happened, and on the third: “Sorry, we are not made for each other.” I don't understand this approach. It is clear that times are changing, but still I am in favor of everything going more, let's say, in a classic way. Everything has become too superficial now: talk about things, about money, about apartments. And where is the soul, where is the heart, where are the real feelings? That's what's most important. And it is also important to understand that love is also work, and very hard. Above yourself first of all. And in order to maintain harmony in any relationship - with a husband, girlfriend, parents - you often have to step on the throat of your own song.

- But you still have it, and for many years. At the age of 16, they got to the "Star Factory". Did you have a childhood?

- There was a childhood, but it was not much - when I left for the summer with my grandparents. A cousin lived there, we walked, climbed through the villages, ate ranetki, played Cossack robbers and in “The Sea Worries Once”. The rest of my life consisted of study and work. But I can’t say that it was somehow especially difficult for me. Sometimes I even deliberately created additional difficulties for myself. My parents and I often moved from apartment to apartment, and, accordingly, I changed a lot of schools in my life. This greatly upset me: I was timid and shy, relationships with classmates were hard to establish, and as soon as I started making friends with someone, I moved again. And in the seventh grade, I said: “Enough, we can move anywhere, but I won’t go to a new school anymore.” I traveled by myself from the north-east of Moscow to the north-west, with two transfers to the metro, and then another on foot. Every morning. But I don’t regret at all that my childhood was, let’s say, not quite typical. I do not like it when something develops according to template scenarios. I need everything to be fast, interesting, exciting and definitely something new.

- By the way, about the new one ... The cartoon "Epic", which you recently voiced, is your debut?

Yes, this is my first cartoon. I have long dreamed of being called to voice acting - and finally it happened! I carefully prepared for work - I even came to the studio dressed almost the same as my heroine. She found the same purple blouse, tied a ponytail on her head, like Mary Katherine. Thus, gradually adjusted to the working mood. And you know, I succeeded. The only remark that the directors made to me was: “Let's say it in Russian” (all because I watched the original cartoon too much, in which my heroine speaks in the voice of Amanda Seyfried, and in the studio I tried to copy her American intonations). I also had to strain at the moment when my heroine learns to fly on a bird and, of course, squeals all the time. I screamed to the point that my voice began to sit down. And there were several hours of work ahead. I must say that we, the actors working on the cartoon, turned out to be real heroes of labor, we did everything in one day. I would have stretched this pleasure, immersed myself in the whole process. But, unfortunately, my crazy schedule did not give such an opportunity.

- You, like many artists, live at a fast pace: you have shootings, tours, voiceovers, TV projects ... Are you still strong enough?

— Thank God, I'm a little old and my health is still all right. I have always loved to live fast, to spin like a squirrel in a wheel. If they put me near the TV for three days and forbid me to work, I will simply run away - such a life is not for me.

Sometimes, however, my own body begins to whine and whine that it wants to lie down and lie down. But I'm fighting. With myself, it turns out, I'm fighting. I say: “Yes, it’s hard now, but you and I, my dear body, both know why we are doing all this. We need to move forward, and only forward, without stopping!” I will never, ever complain in public that I am tired. After all, I am doing what I love and I am absolutely happy. What about fatigue? This is good. When a person gets tired, he gets a completely different pleasure from rest, deserved.

I have an enviable ability to sleep anywhere. For an artist, this is incredibly important. I sympathize with colleagues who are wildly tired, but at the same time cannot sleep on trains and planes. It's terrible when you can barely stand on your feet, flopping into a chair - and suffering the whole flight, looking out the window. I sit down, take warm socks out of my bag, ask the stewardess for a blanket, and if possible two, cover my head and sleep. They ask me: “Tell me, Yulia, how do you breathe there, under the blanket?” I don't know, I'm fine.

- You are a nomadic person, and sometimes you have to live in difficult living conditions on tour. How important is comfort to you?

— I don’t need presidential suites — I need a normal clean human room, where no one will knock on the walls, with a bed where you can sleep well, shower, breakfast. And everything else is details. I don't think I'll ever lament the fact that my suite doesn't have a golden vase, or that the flowers in it are the wrong color.

What does the word "rest" mean to you?

— To be in a normal working process. It seems to me that people who only relax all the time live in some kind of vacuum, "without regaining consciousness." And life goes on. I'm not saying that everyone should live the way I do, but for me that's the best way. And this is happiness.

Family: father - Stanislav, musician; mother - Svetlana, music teacher

Career: in 2003 she took part in the "Star Factory-2" (producer - Maxim Fadeev). In 2004 she performed at the Eurovision Song Contest. In 2005, she released her debut disc "High" and recorded the soundtrack "If Love Lives in the Heart" for the series "Don't Be Born Beautiful". Subsequently, 4 more solo albums were released. In 2008, she took part in the Star Ice project (Russia channel). In 2009, she won the project "Dancing with the Stars" (channel Russia) paired with Evgeny Papunaishvili. In 2012, she recorded the soundtrack for the film "Unequal Marriage" in a duet with Iosif Kobzon and took part in the "Battle of the Choirs" project (Russia channel) as one of the mentors. In 2013, she took second place in the One to One project (Channel One).

After the appearance of the mega-popular show of the First Channel "One to One", in the minds of many television viewers of the country, the usual ideas about the stars of the domestic showbiz have changed. Me included. I would never have thought that a sweet-voiced person would turn out to be such an artistic and gutta-perchie person, and that one with oriental charm would be a creative experimenter and.

But, to be honest, the pretty Yulia Savicheva surprised me the most. We are accustomed to seeing a girl in the form of a teenager who is fluent in her natural voice. Bright haircuts, emotional "boyish" movements on stage, tearful performances - as it turned out, all this remained in the distant past. On the show "One to One" we see a diametrically different Savicheva.

Resource Heat.ru managed to keep a secret with the talented singer. According to Yulia, life during the project became even brighter. In addition to wonderful reincarnations, for the first time in her career, Savicheva voiced the heroine of an animated film. Mary is the main character who is destined to face a real fairy tale. Julia is very proud that she was invited to voice the girl, because for a long time the singer has been dreaming of trying herself in this role. New cartoon" epic"soon to be released in wide release. We will look forward to it.

When asked about her personal life and plans, Julia said that, like an ordinary girl, she wants a family and kids. But all this will come with time. Julia hopes that she will be able to combine the role of a wife and mother with a singing career, because she cannot live without a stage: "A musician is already like a disease that cannot be cured."

Julia admitted that she is an extremely emotional and vulnerable person. The girl dreams that a person who can support her lives next to her. A man who will stop in time, direct in the right direction, prompt in this or that situation. A white dress, a banquet, a chic wedding celebration is not the main thing for her. This is all secondary and not the most important. This is how Julia represents family life.

The show "One to One" changed the girl's life. The singer appeared before the audience from a new perspective. With each release of the program, Yulia is gaining more and more positive ratings. There are a couple of performances left before the final, and, it is worth noting, Savicheva is one of the favorites of the project.

According to Yulia, she does not just watch the recordings of each character in her parodies - she literally lives their life. Before each number, Savicheva studies clips, concert recordings, personal life and character of the characters. After all, it is impossible to make a parody without knowing even the smallest details of the life of a star. Complicating things noticeably is the fact that those who are being parodied by the show's participants are seeing this process of reincarnation personally. And this is a huge responsibility for artists!

Julia Savicheva admitted that the most difficult task on the project was the image of Alla Pugacheva. The singer's hands were shaking, her voice broke during rehearsals, her nerves were constantly tickled by thoughts of responsibility. And all these torments were not in vain - the number turned out to be chic.

Masterfully refined and gentle Julia got used to male roles. The legendary Freddie Mercury and the brutal one were remembered in the memory of the audience. The One to One show is coming to an end, there is only one performance left before the final, which will take place on May 19th. Then the reins of government pass to the viewers, because it is YOU who will decide which of the five best will become the winner of the project.

Definitely, Yulia Savicheva deserves to be in this very top five finalists, because so much effort has been expended. I would like to wish Julia good luck in a parody of the great one, which will solve a lot. I think that very little time will pass, and soon the image will also be parodied for its great contribution to the history of the Russian show factory.

You are great girl...

in the image of Kylie Minogue on the show "One to One" VIDEO

"One to One" is a show of reincarnations, the participants of which will try on the images of legendary musicians of the past and present and perform the most famous world hits live on stage.

Julia Savicheva reincarnated as the inimitable Kylie Minogue.

Members:
Alexei Kortnev, Sati Casanova, Sergei Penkin, Anita Tsoi, Timur Rodriguez, Anastasia Stotskaya, Yulia Savicheva, Eva Polna, Alexei Chumakov and Evgeny Kungurov.

Hosts: Nonna Grishaeva and Alexander Oleshko

Jury: Gennady Khazanov, Efim Shifrin, Lyubov Kazarnovskaya, Alexander Revva and Lyudmila Artemyeva.

Julia Savicheva, One to One

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Yulia Savicheva in the image of Whitney Houston on the show "One to One" VIDEO "One to One" is a show of reincarnations, the participants of which will try on the images of legendary musicians of the past and present and perform the most famous world hits live on stage. In the first episode of the show from 3 March Yulia Savicheva played the role of Whitney Houston....